We once came across a Bourgeois spider, lurking in the old turbine hall of the then new Tate Modern. Maman fascinated and appalled me in equal measure. My scientific self enjoyed the majesty of the vision that re-created her, triumphantly huge in steel. My male, meritocratic self had visions of limited purposes, sacrifice and cannibalism. And yet Maman spoke to me of the fight for life and a guarantee of a future borne in her egg sac, much as when Yeats wrote of rebellion and nationhood in Easter 1916, ‘A terrible beauty is born.’
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