Walking Commentary

Manchester to Rome 2022

Random Erasure and Discovery

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Random

‘Societies becoming software civilisation’ is the string of words that I got from a spreadsheet I made this morning. I took ten sentences from a book and typed them into a spreadsheet. I devised a formula to randomly select one word from each sentence. With the resulting ten words, I used a random number generator to select the number of sequential words that I should grab from the arbitrary, nonsensical list. Four was the magic number, four contiguous words from ten. I purposely biased the experiment by choosing the sequential four that made some sense to me. ‘Societies becoming software civilisation’ was my reward for creating the word list in the first place.

Mountain walk erasure.
Post discovery.
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‘Quarried’ Delivery

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You will see the back cover of Quarried shows a castle that bristles with telephony devices. Perhaps one of them is delivering this post to your smartphone. The castle is actually a watchtower, built in 1807. Napoleon was a threat and the coast was fortified with Martello Towers to delay if not withstand any invasion plans he devised. The tower was needed for line-of-sight signalling to ships and to the soldiers stationed in the string of Martello Towers that protected the island. Two centuries on and the tower continues to do what it was built for. It relays a cloud of communications.

Sunset lit clouds beyond Dalkey Quarry.
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‘Quarried’ Style

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Michael Kenna’s style inspires me. I’ve seen his framed prints for sale in books, online and in galleries. The most amazing for me was an exhibition curated by Chris Beetles in the Huxley Gallery in 2012. Kenna’s art form is his photographic printing of interesting arrangements and patterns found in the natural landscapes. His art is all about tones. Nearly always absent are people. He nearly always works without any form of digital assistance. His analogue world is one of film, chemicals and paper. There’s a continuity that runs throughout his oevre.

Paradise Lost
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‘Quarried’ Memory

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The granite that forms Dalkey Hill was very close to where large amounts of rock were needed for construction in the early 1800s. The granite itself was located so close to the surface that it be could be quarried easily. And today, these strip-quarried exposures still being described by geology students in annual field trips, something I also did during my undergraduate years. It’s a place within public transport reach of several universities where keen observers can peer into the interior of a granitic pluton.

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‘Quarried’ Arrangements

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My idea for Quarried could be described as a series of exploded views of the one scene, mirroring the way the rock itself was excavated. The harbour in Dun Laoghaire, for example, needed to be visible since the gap in which it would appear was what it was made from. The two harbour piers and that of the South Bull Wall were made from the now absent prominence, a hill that was once higher than anything that survives today. The South Bull was also

The three visible harbour piers were made from the now absent prominence.
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‘Quarried’ Invention

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I had an idea, a simple concept and like photography itself, it took years to be realised. My concept was that one photograph could be interrogated to reveal many stories, each distinct from the main image. Like a book has chapters, and chapters have paragraphs and sentences, the fractal potential of the image could be explored. It wasn’t dissimilar to creating and analysing geological cross sections with geophysical data, something I was involved with for most of my career. I like a challenge but creating Quarried, the April chapbook, turned out to be more difficult than I anticipated.

Quarried covers
Available now from Bracket Books Ireland at outlets like FabHappy or WalkingCommentary.
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