My idea for Quarried could be described as a series of exploded views of the one scene, mirroring the way the rock itself was excavated. The harbour in Dun Laoghaire, for example, needed to be visible since the gap in which it would appear was what it was made from. The two harbour piers and that of the South Bull Wall were made from the now absent prominence, a hill that was once higher than anything that survives today. The South Bull was also
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‘Quarried’ Invention
I had an idea, a simple concept and like photography itself, it took years to be realised. My concept was that one photograph could be interrogated to reveal many stories, each distinct from the main image. Like a book has chapters, and chapters have paragraphs and sentences, the fractal potential of the image could be explored. It wasn’t dissimilar to creating and analysing geological cross sections with geophysical data, something I was involved with for most of my career. I like a challenge but creating Quarried, the April chapbook, turned out to be more difficult than I anticipated.
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