My idea for Quarried could be described as a series of exploded views of the one scene, mirroring the way the rock itself was excavated. The harbour in Dun Laoghaire, for example, needed to be visible since the gap in which it would appear was what it was made from. The two harbour piers and that of the South Bull Wall were made from the now absent prominence, a hill that was once higher than anything that survives today. The South Bull was also
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‘Quarried’ Invention
I had an idea, a simple concept and like photography itself, it took years to be realised. My concept was that one photograph could be interrogated to reveal many stories, each distinct from the main image. Like a book has chapters, and chapters have paragraphs and sentences, the fractal potential of the image could be explored. It wasn’t dissimilar to creating and analysing geological cross sections with geophysical data, something I was involved with for most of my career. I like a challenge but creating Quarried, the April chapbook, turned out to be more difficult than I anticipated.
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‘Landscape photographer Michael Kenna said that he tries to ‘invite viewers into the frame to imagine, experience, sit awhile, meditate, be calm and quiet for some moments, before returning to their busy activities.’
Available now from Bracket Books Ireland at outlets like FabHappy or WalkingCommentary.
As Far As The Eye Sees
The auctioneer was known for his malapropisms. He was the kind of man who might aspire to own a tantrum bicycle. Or announce that Rome wasn’t burned in a day. At the auction of the restaurant my parents were selling, the auctioneer tried to add value by including the view in the sale. He said there were magnificent sea views for ‘as far as the eye could see’. Eyes rolled, then checked the view before acknowledging he was correct. He had viewed the price and repriced the view.
Red and Below
I looked up and out to see a rainbow. The merest hint of a fleeting rainbow dragged a memory of red from deep within me. The memory was of an essay that Arthur C. Clarke wrote. The Light of Common Day was published in 1963 and he made a point that fascinated me when I read the essay many years later as an adult.
Fuji X-T4 | Fuji XF18-55 F2.8-4 R LM OIS | 83 mm | 1/2000s | f/13 | ISO 160 | handheld
Magnolia Redux
I’m pleased that the Magnolia chapbook has been well received. I’m saddened that I have found another hundred whose blooms have alerted me to their presence. One gorgeous stellata is barely fifty metres from our driveway, hiding in plain sight from my camera. Our national pandemic travel restrictions have been relaxed and today we ventured beyond 5 kms. Almost giddy with excitement, we walked the gardens of Fernhill, some six kilometres from our driveway. It was lovely to be in the company of tall pines, thuya and wellingtonia, spreading birch, beech and oak. We were also among specimen acid loving trees. Huge rhododendrons, camelias and several magnificent magnolias.